
I had a plan for Bumbershoot (you can see it in the blog entry below this one.) Like most plans I make, it didn’t go exactly as I had . . . uh, planned. But I actually wound up seeing most of the artists on my list, at least for a little while, and a few that weren’t on my list, which turned out to be some of the best moments of the weekend.
Some of the high points for me:
Saturday
Saturday night I really scrambled. I hosted Eric Hutchinson on The Mountain’s stage at the Mural (man, the girls love Eric and his schoolboy charm), then the Old 97s on the Mainstage, then back to the Mural to introduce World Party, then back to the Mainstage for Sheryl Crow — here’s the view from the stage just before Sheryl came out:

And in between all of that, I saw my two favorite local bands — Telekinesis slammed out a set of Beatlesque power pop at EMP’s Sky Church, and I wrapped up the night at the Broad Street Stage with The Long Winters. The LW’s John Roderick is one of the unsung geniuses of Northwest rock, and the one new song they played offered a tantalizing preview of their next (way overdue) album. John’s all about irony and irreverence, but when he sits down at the keyboard and sings “The Commander Thinks Aloud,” it’s always moving and sad and inspiring.
Sunday

I began Sunday back at Broad Street because I met some guy the day before who told me if I’d never seen Seattle’s Hey Marseilles, I was required to see them. Now that I think about it, he might have actually been the manager of Hey Marseilles, but he steered me right. I’ve seen them categorized as “cabaret pop,” which is a goofy term and doesn’t do them justice. With a trumpet, violin, cello, accordion, and assorted cymbals and bass drums augmenting the usual rock band gear, they do evoke a Parisian cafe sometimes, but they weave those sounds into original and inventive pop tunes. Anywhere between seven and 11 guys are up there at any given moment, and when the crowd breaks into spontaneous clapping along or chanting or whatever, it’s never forced — it’s involuntary. I love this band.
As my Sunday musical odyssey continued, I hung out with Jodi Brothers while the Yeah Yeah Yeahs played on the Mainstage. Karen O, you shock us and amuse us. And you spit a lot of water on us in a fine mist. I showed up to introduce the Honey Brothers on the Mountain stage, and in the green room I saw that guy from HBO’s Entourage, Vincent Chase. (Real name: Adrian Grenier.) Turns out he’s a Honey Brother himself — who knew? Perhaps you did, but I sure didn’t.
I didn’t keep to my planned breakneck schedule because I hooked up with some troublemaker friends who . . . slowed me down, let’s say, in preparation for the Michael Franti & Spearhead show on the Mainstage. (That Space Needle shot just above was from that night. Would it have killed me to actually point the camera toward the stage?) The Franti show was a huge smoke-fest, the air ripe with a pungent combo of ganga, sweat, beer, and damp polar fleece. Franti is a manic force up there, imploring the crowd to jump up and down and wave their hands and sing along and yell “hey.” Love the music, Michael, but you’re the one getting paid to perform. You’re not the boss of me. Oh yeah, and Michael welcomed Jason Mraz to the stage for “Say Hey (I Love You.)” I didn’t stay for Jason’s own set, but on the other side of the city, my dog Zoe could hear the high-pitched shriek of teenage girls.
I capped Sunday off with a quick stop to see the exquisite Raphael Saadiq — sharp dresser, impeccable choreography, and songs that could’ve come from Detroit in 1967 or Philly in 1973. But even Raphael couldn’t get my tired booty to shake very much (which you wouldn’t want to see anyway) so before he pulled a Tom Jones and ripped his own shirt off, I snuck out.
Monday

This day started ominously, with torrential rains, so I stayed away until early afternoon, in time to catch Black Joe Lewis & The Honeybears on our Mountain stage. Sort of in the same vein as Raphael Saadiq with more of a raw, James Brown/Wilson Pickett vibe. I dashed over to the Mainstage to catch a little of the Black Eyed Peas, and to see Fergie’s bare midriff, which was worth the trip. Back on our stage, a bit of a hootenanny with The Devil Makes Three, and a little bit of 21st century Woodstock with neo-hippie folksters the Cave Singers. The neo-hippie folkster trend in music requires at least one member of each band to grow a long beard like a prospector in the old west. Speaking of, I also caught Akron/Family, super trippy folkies who embellish their meandering, hypnotic tunes with little flutes and bells and bizarre sounds. I liked the song where the guy actually inserted the microphone in his mouth and made noises like a police siren for five minutes.
Big highlight for Monday: Franz Ferdinand on the Mainstage. I was about to plunge into the crowd (I normally do like to watch shows with the people) but I bumped into my pal Aubbie from One Reel and she snuck me up into the backstage rafters so I could see the whole thing from above:

They’re a relentless force on stage, which is fun to watch, but even more fun were the antics of the crowd. I’ve never seen an audience hold so many people up over their heads and pass them to the front of the venue. Dozens of them, non-stop. They just kept coming, and security guys would grab them at the “pit” in front of the stage, pull them over the wall, and send them back out for more. I realized that if I’d gone down in the crowd, I’d have spent the whole show with my arms up, passing screaming girls forward.
Anyhoo, those are some highlights. I left a few things out. It’s always fun to bump into random Mountain listeners, either at our booth, or just in the middle of a throng when someone comes up and yells, “Hey, aren’t you John Fisher?” — usually when I’m stuffing my face and dripping gyro sauce down my chin. Please, no photos.
I had a great time. When will my ears stop ringing?